Conjure Tales. Bridget Conn work with found objects expresses her desire for a connection to tradition, whether it be cultural, geographic or familial. By collecting objects and conjuring stories with them, Conn creates a personal alchemy that evokes order, understanding and magic in the mundane.

House on the Street, Fascinated by the way people create their surroundings and inhabit them, Justin Wheatley's images, a combination of photographs and painting, are salvaged fragments of individual places and moments that bring attention to beauty often overlooked in forgotten details.

37th Annual Quilt Show: An unforgettable display of color, pattern and skill is showcased through the creative medium of quilting in this exhibition. Submissions by Utah quilters are judged by a panel of talented artists and quilters based on quality in workmanship, design, color, originality, and general appeal.

The Art of Topaz: Beauty Inside Barbed Wire
During World War II, over 11,000 Japanese Americans were relocated to an internment camp in Topaz, Utah (Millard County). During the three years of the war, the residents of Topaz developed schools, art programs and an insightful and profound cultural life. This exhibit highlights art created by Japanese-American artists at Topaz Internment Camp, as well as a few works inspired by the events at Topaz.

Threads of Perception, New York artist Devorah Sperber combines commonplace materials with simple optical devices to investigate the connections between art, perception and technology. Her works address the complex relationship between the way we think we see and the way the brain actually processes images. In this series, Sperber examines famous paintings from art history.

Ansel Adams: Early Work. Most people are familiar with Ansel Adams heroic, high-gloss, high-contrast prints manufactured in the 1970s-80s, coinciding with the emergence of the first retail galleries devoted to photography. Much less familiar are the intimate prints, rich in middle tones that Adams crafted earlier in his career. This exhibit focuses on the masterful small-scale prints made by Adams from 1920’s into the 1950’s.